I’m going to share with you a formula created by Dr. Todd Jones that explains what makes good art and literature. Jones is a celebrated philosophy professor with a significant background in anthropology.
Jones’s BeDE Theory of Art Criticism:
Art or literature’s only function—the only thing it is good at doing—is creating beliefs, desires, and emotions (or BeDE for short). Art fails at doing anything and everything else.
The BeDE theory is designed to tell you which works of art are comparatively better than other works of art in its class, based on how well it performs its function of creating beliefs, desires, and emotions within its audience.
What makes something “art” is a social fact—such as the concept of money or Tuesday. Society agrees that “x” is art, and therefore it becomes art.
I’m don’t know what Three Fourths Home was supposed to be, but it definitely shouldn’t have been a video game. There was nothing about this story that warranted it being played or visualized in this medium. The graphical element of a car driving through cornfields added nothing to the story, the controls and playability added no feeling or connection with the characters—if anything these components distracted from the plot and created a barrier between the “player” and what the story was trying to convey. To me, this story could have easily been a novel or perhaps a film—as a video game it was a frustrating and underwhelming experience.
Yeah, he might be a little self-indulgent—I assume he has orange skin and sweet comb-over—but that’s okay because he speaks for us common folk. He waves a big banner of common sense and God, and as long as I can keep my guns, I’ll vote for him as my favorite modern philosopher.
“It’s gonna be huge,” I envision Georgie B trying to explain himself to a confused reporter. “What I make public here has, after a long and scrupulous inquiry, seemed to me evidently true and not unuseful to be known—particularly to those who are tainted with skepticism or want a demonstration of the existence and immateriality of God or the natural immortality of the soul” (438). Yeehaw—I like the sounds of that campaign promise! Let’s see if he can build that wall.
The story takes place in a struggling fishing village in the Pacific Northwest; a setting that plays seamlessly with hipster-savvy characters and strong female leads. You take control of our budding photographer protagonist, Max, on her 18th birthday as she’s recently enrolled in prestigious art-driven boarding school for gifted students. In the opening scene she has a crazy premonition and discovers that she has ability to control—reverse—time. It’s awesome. It’s every indie stereotype personified in a cataclysm of so much sugary-pop goodness that it hurts your teeth and rots your mind—only to later sideswipe you with depth and soul.
It’s very nature fosters inequality, stunts progression, and detracts from the common good. This poison has completely consumed the Executive and Legislative branches of government, and continues to leech into the Judicial—the people’s single safe-haven that promises unwavering and unbiased justice to all regardless of race, class, creed, or religion. By using big data, we can offer empirical certainty that equal and consistent justice is being served—and if it’s not, the ability to remove its offenders.
I: The Constitution and Why Partisanship Doesn’t Apply
There have been no news articles, no insight offered by academic or legal scholars, no pragmatic solutions that have overwhelmingly demonstrated the value of partisanship. Ever. Nothing of these arguments in support of bias show how the effects of its good outweigh that of its bad—it’s all theory and opinion to convince us that partisanship is necessary. And it’s worked. We willingly accept—celebrate—the pillaging of our democratic system in the name of a political party and even go as far to evangelize it.